Review 4/43

Liverpool City Region culture awards winners revealed

The start of the season may have been delayed a month by work to the hall, but the Phil’s autumn schedule has certainly rip-roared into...

In the 18th Century there was a vogue for rewriting Shakespeare to appeal to Georgian audiences and which included introducing new...

Anyone who likes a bit of horror in their lives will find that their cup runneth over next week – with Halloween preceded by an autumn...

Giselle has been if not endlessly then certainly regularly reinterpreted since it was composed some 183 years ago. Among them are Mats...

It’s been a long time coming – five months, if we’re counting, since the full forces of the RLPO were last on the Philharmonic Hall...

Shakespeare wasn’t averse to borrowing plots or characters from historic texts – and in turn his work has been the inspiration for...

With a scrumptious Sherman Brothers score, a faithful flying car and an enjoyably malevolent baddie, the stage version of Chitty Chitty...

It’s nearly a decade – in fact pretty much the length of two Great Wars laid end to end – since the stage adaptation of Sebastian Faulks’...

Home is where the heart is. There’s no place like home. And, as Maya Angelou noted, the ache for home lives in all of us. That ache is at...

When Ian Salmon’s Girls Don’t Play Guitars was first staged at the Royal Court back in 2019, few people had heard of The Liverbirds or...